Of all the
events of Australian history I know least about - Eureka is the top of that
list. Perhaps that is bad, perhaps I am negligent, and perhaps that is
reflected in my personal dislike of Unionism. I don't know. It does
seems somewhat unpatriotic though, it does seem too churlish to not know
anything (or at least remembered anything from school) about Eureka, the
stockade, the killing of the miner Scobie and the burning of the Hotel owned by
the Bentley's. I feel even more ashamed as Wright articulates that this is
“…what all school children know.” I don't. Things get worse as I
have to teach a unit of Eureka in my Yr. 9 History class in but a few weeks
time. Arggghh.
Wright
quotes Blainey:
"Eureka
is like a great neon sign with messages that flick on and off with different
messages for different people on different occasions." (p xii)
Wright is
seeking to use Eureka to "...illuminate issues of gender bias in our
collective bedtime stories." This
sort of lefty proposal doesn’t sit well with me. I was even more concerned when I read the
endorsement in the inside cover from the Marxist left review:
“It is exhilarating to encounter a historian who thinks that writing women into history in not about emphasising family life, or portraying women as victims of men, separate from the big struggles for democracy and justice.”
Whoa, what
about that then! As I embarked, I
wondered if the Marxist left and I were reading the same book. Other reviews were closer to fact – the Courier
Mail was one:
“Beautifully written, her book takes readers on a vivid journey of what life was like for the families of the miners, merchants, prostitutes and police … It’s a great story.”
Wright's book is a gambolling ride through the 1850's in Victoria. Wright is an outstanding story-teller and a truly wonderful writer. Let me share two wonderful sentences, lightly peppered with alliteration and imagery.
"But it was not just ideology that wove women into the fabric of the goldfields society. In the hard-nosed way of British bureaucracy, there were structural provisions made for the reality that woman would be integral to the colonial economy." pg. 135.
Wright
shares that one major difference in the Californian Gold rush and the
Victoria one was the abundance of Women on the Goldfields. This was an
ideological ploy, as it was believed that women were a civilising element and
that the Australian Goldfields would not degenerate into the lawless
frontier that was in the America's. However, let's look at the
writing.
I've marked
the alliteration in the text; wove women, British bureaucracy, women would and
the pièce de résistance, colonial economy.
Economy, having an iambic
foot, sounds like alliteration (actually assonance) because of the unstressed ‘e’ and the stressed ‘c’. Wright’s writing is sometimes so poetic. She really is a wonderful writer and I think
that I’ll be reading more of her as a result.
Then, of course, there is the fact that the imagery of weaving – working
with fabric – is the metaphor used in the first sentence. Finally, there is the
lovely way that this sentence is beefed up, injected with testosterone, by
beginning with a preposition. It is just marvellous.
The stories are truly wonderful, the tales of immigration and the stories of Sarah Hanmer and Clara Du Val are fascinating, even more so as they develop throughout the book. The stories of travel sickness and death in unsanitary conditions of the ships, along with the celebrations of crossing the equator line were riveting. The walk to Ballarat, particularly the asides, like how Wright mentions 'The Gap' at Bacchus Marsh. A place where the dray's got stuck crossing the ravine and had to be pulled out. They waited for days for this to happen and a good deal of money was made by those who did the pulling out. This is contrasted with the "nifty rollercoaster stretch" of the Western Highway that we travel today. It made me scurry along to Google Map to try to locate it. Of course, the Stockade itself too.
The Scholarship is outstanding and the conclusions drawn do not seem forced. Janet Kincaid's rather nasty letter to her husband is an interesting find. Sarah Hanmer and Clara Du Val's lies about themselves demonstrate the desire to make new identities for a New World. Culminating in the most provocative thesis of the book. At the end of the chapter 'Parting with my sex' Wright illustrates how Ballarat in 1854 was a functioning township, not a miner's slum or frontier outpost. She states that Gov. Hotham believed in the inveterate ability of women to humanise and bring order to society. However, Wright ends, Ballarat '...was heading for a train wreck. And the women weren't hauling on the brake. They were stoking the coals.'
Wright's book is a page-turner, comparable to the best fiction writers, yet with the scholarship of a responsible historian. A truly great read and a chance to learn a lot. I never felt that I was being assaulted by the left - or an ideology shoved down my throat. I found myself engulfed in a by-gone era and challenged to think differently. Truly great writing.
5 Stars